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April 2022 - Year 24 - Issue 2

ISSN 1755-9715

Ears Peeled Project

Christina Chorianopoulou is an English and Greek language educator, passionate about PBL & TBL. A former TESOL Greece Chair & Journal Editor, she blogs and tweets about all things ELT. Email:   



Project-based learning, Task-based learning… how do we even get there? Most of the material my groups work on comes from their own interactions, as well as among them and myself. As all good learning stories, this project started from a frustrated student’s comment and the urge of the group to end that frustration. Should we speak in a particular way in order to be understood in our second language? Does it have to do with accent or with diction? Do we listen in the same way as we’d like to be listened to? Is this an indication of our competence and knowledge?

I have to state that our starting point is trust. In order for a project to materialize, we need to feel comfortable with each other in sharing, offering suggestions, giving feedback and working through tasks collectively. In many ways, a project cultivates the above and sets effective learning in motion; in our case, eight fourteen to sixteen-year-olds, who had much more in common than they realized in the beginning, managed to come together and deliver tangible outcomes after almost eight months of designing and collaborating on the project. That particular group had had experience in the task-based approach and, as the questions multiplied and developed in complexity, their previously acquired skills were put to the test so as to make every task meaningful and constructive. Meeting face-to-face once a week and collaborating online in our Google classroom twice more, the group had sufficient time to discuss new ideas, resolve issues and reflect as a team.


First stage

The first stage was simpler in devising and implementing, with tasks like:

  • students producing written dialogues in a variety of everyday contexts (breakfast at home, getting to school, discussion during intervals, etc), using prompts provided by the group, and progressively touching on subjects where they felt less confident to express themselves
  • role-playing (engaging in a variety of activities and dramatization techniques)
  • sub-group recording examples of the everyday discussions above and sub-group identifying the context
  • assessing products within the group and brainstorming ways to resolve emerging issues and plan further steps


Second stage

Moving to the second stage came much faster than I expected, mid-way through the second month. I felt apprehensive, I must admit it. My concerns were whether the group had had enough time to experiment with the techniques and tasks, and also whether it was necessary for me to interfere and stall the process. The driving question, however, had already been enriched with emergent follow-ups: “Does what we say depend on who is listening?” , “Should we change our words and tone in order to be understood?”. Seeing how engaged the group was in the new prospects, I decided to risk it and allow things to evolve, which thankfully led to some further intriguing results:

1 Re-naming the project: the made-up idiom story (“ears” instead of “eyes”  peeled)

2 The PM Board: task pin-board where the week’s team leaders left messages in the phonetic transcript (the group’s effort to make the most of – both printed and online – dictionary use within our project’s framework)

3 The teacher infiltration:

a. opportunity for instruction and scaffolding of bottom-up and top-down processes simultaneously

b. initiating ELF attempts (a big thank you, here, to

4 The decision to take steps out of safety:

a. presenting project tasks at morning school and involving classmates

b. organizing collective book read-aloud sessions for younger learners, peers in language schools and eventually preparing to contribute to LibriVox


Third stage

We moved on to the third stage of our project, where the focus is on presenting the group’s work in detail through the final product: the Project Website. The core group in Athens has been collecting their own and all material from other groups taking part and has been designing the webpage on the Wix platform. It has been a demanding task, as it requires careful planning, clear roles, and efficient time management, but so far it seems the group has got everything under control and will meet their deadlines.


Teacher’s notes

It took the core group about a month and a half to get their heads round to what we were doing. I’ll admit to enjoying this process immensely, in spite of my concerns that they got there far too quickly.

Having spent twenty days brainstorming, keeping notes and deciding upon who should do what, it was simply uplifting to experience languages being used in all sorts of ways; all our languages, that is. We’ve been an odd bunch.

Things to consider:

  1. Context: this is still general English, though not approached commonly.
  2. Backgrounds: we share the current place and language (in Athens, with its ups and downs, naturally), but the linguistic legacies we carry differ. The immigrant framework we work within calls for very specific planning and welcomes four native tongues, other than Greek and English.
  3. Age & Emergent knowledge: all this happens in a group of teenage learners of 15-16 years, all assured they know everything.
  4. No Coursebooks – our own experiences and where they take us, readers and authentic texts.
  5. Skills develop anyway; whether they develop with good purpose is a different story. Our specific aim here is developing listening and speaking, yet how could we possibly isolate those? Isn’t language one thing?


One week

While writing this, I kept thinking what the best way to portray our gatherings would be, and

thought that only a weekly development of thought and practice could do so.

Here is a week working with the project group:

Monday through Wednesday: Collaborating on our dedicated Google Classroom

Week Theme: Daily Interactions

Weekly Tasks (designed by students):

Sub-group 1 (four students)

  • Create dialogues for the following scenarios
  • Record yourself performing those scenarios (remember: S(ituation)T(one)P(urpose)

a You wake up because your sister/brother has just slammed the door of your bedroom.

b You’re sitting around the table for breakfast. You think the bread is not fresh.

c You’re getting ready for school. You have forgotten to do an assignment for your History class.

Sub-group 2 (four students)

  • Listen to the recordings. Note down your answers on the following:

Where are the speakers?

What is the problem?

  • What would you do in each of these situations? Leave a comment on the thread.

How would you react to those issues?

Prepare and record your responses, then share them in the comment section.

Thursday and Friday (still collaborating online, only through both the Classroom and our whatsapp chat)

- Group 1: collect responses and propose which recordings & follow-up questions should be added to the project portfolio.

- Group 2: give feedback on Group 1 proposals & share your arguments and suggestions.

Saturday – meeting face2face

- Perform scenarios, including suggestions/modifications by both groups

- Play recordings & compare with live performance

- Reflect collectively

Differences/similarities between recorded and on-the-spot presentation of scenarios

Observation notes:

1) Is what you heard understandable?

2) Did you spot any problems, and which?

3)What are the ways to improve?



So, a typical week with the group really held plenty of wonder. I was quite happy to sit in the back and observe those goings-on, and actually found myself wondering when my input would be necessary. In such a week, I was probably just the motivator – yes, keep at this, yes, compare dictionaries too, yes, it’s fine to get emotional, all of this.

To me, being able to blend in the background but also hold the rule still feels remarkable. Especially because no rules have been pre-set, because I’m in the observer and contributor shoes – not the I-know-and-you-don’t ones.

It has been impressive, to say the least, to observe teens translaguaging their way into English – holding onto that in-between part of making sense among the group but then acknowledging and striving to make the effort commonly understood and acceptable.

This process repeated, with many different scenarios, all through the month that followed. We eventually reached a point where some form of more formal assessment needed to come in – the group needed to know if their work and choices were effective. And though my own input on that front was requested and provided through the rubrics I always prepare, it didn’t feel enough.

The truth is I usually panic when this feeling of inadequacy rushes in. Trusting your gut just isn’t enough. I’ve reached a point, however, where this is a forseeable feeling and I remember that somewhere inside me, there are mechanisms to transform it, shape it, make it work for the best. So my #teacherhub rushed in there too. I asked my RP group for help, forgetting I shouldn’t be apologetic about it. And it was a great reminder of why my practice used to make me feel insufficient in the past.

In practical terms, the project group prepared an audio performance – “blind theatre” might be an appropriate title for it – to showcase those three months of learning to their immediate environment: parents, friends and the local community. I suppose it was the ultimate challenge, at that stage, for them to know that among the audience there were six people – six teachers – who were silently assessing them; somewhat like the reviewer assessing the chéf in that optimistically freshly-opened restaurant in town.

We still strive and keep our ears peeled. With so much unfolding in the world around us, we surely have more than enough material to work on. Where will this take us?


Please check the Pilgrims f2f courses at Pilgrims website.

Please check the Pilgrims online courses at Pilgrims website.

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    Christina Chorianopoulou, Greece

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